The orange paper has an exact [from the screen] print of
the other side of the shot glass.This blogpost was substantially written by my brother Keith
and first appeared in his blog; Zzakk's Garage last year. I
edited it to make myself 1st person and made some additions.Back in 1991 when my brother and I owned a screen printing
company (that did everything but T-shirts) we used to make
personal items from time to time. Keith handled the artwork
/typsetting and darkroom, plus made the screens--I was in
charge of the machinery and tooling (makes perfect sense if
you know us) and then we would do the actual printing
together.I had Keith pirate the art of Patty Melt [one of Cherry's friends]
whipping out her tig old bitties from a Cherry Comics adult
comic book, and we printed at most a dozen shot glasses
[1 sub-carton]. We shipped two of the shot glasses to Larry
Welz, the comic's author, who then sent us the original and
never-seen-before-now drawing that's in the frame. We
traded a few comments about our favorite liquors and
thoughts on doing a production run. Unfortunately, our
epoxy based glass ink wasn't durable enough for hard use
[we termed it "Souvineer Quality"] so we declined due
to warranty concerns.We put milk in the glass so our printing would be legible inthe photo, then drank it. Till someone else brought it up,we never thought about the humor of our choice of liquid.Probably the only time Keith has tasted white milk since
we made the shotglasses 18 years ago.Personally, I can't get enough of the stuff.The first issue of Cherry Comics was titled Cherry Poptart.A great way to infuriate Kelloggs and Archie Comics at thesame time. There were some not so thinly disguised Archiecharacters in that first issue too.Time to Google Larry Welz and see what he's up to lately.www.cherrycomics.com If you're 18 or older.
Not an artistic page but
Agatha's rant says it all.
2008 Hugo awardA quick plug for Girl Genius comics.
The hero is Agatha Heterodyne, an extremely sparky
mad scientist from a long and dangerous family of
sparky mad scientists. A nice girl actually, but she's
learning fast.
I wouldn't mind being her Lab Assistant.
Phil & Kaja Foglio just uploaded this great photo of
the Hugo award they won for Best Graphic Novel
of 2008. Great trophy. Absolutely fantastic comic.
I can't recommend it enough. You can read a new
page every weekday online, but support your artist
and buy the books, I have the 1st 7 or 8 plus a lot
of other Foglio comics and cool products.
I installed a link in the lefthand sidebar some months
ago but I wasn't fired up enough to do a blogpost
about it till now.
Courtesy: Pirate Art Institute
I loved this painting the first time I saw it.
It was an illustration for a short story called; Ride to Live, Live to Ride. The story was about a biker who was a high-iron contractor doing orbital assembly, but ends up being a hero. It appeared about 20 years ago in Isaac Asimov's Science Fiction Magazine. I've long since lost
track of the issue, author and artist.
My brother Keith photographed and printed it for me. Some cleanup was done at the time with ink and brush. I had a grandios plan to screen print parts of it on layers of plexiglas, for a 3D effect. The back layer would've had the stars engraved and sandblasted into it. The stack would then be mounted in a deep frame and internally backlit and edgelit [fibreoptic].
More recently I scanned it and we digitally cleaned it up again and then added colors to the Grateful Dead logo.

Pics by; KeithAlanK
Welcome to 2010.
This is my slightly upscale Goblin. I originally built it
for a halloween Goblin contest that was going to be
held at a launch at McGregor TX about 10 or so years
ago. The launch got rained out as I recall, but I'm
glad I built the new Goblin anyway. It uses an Estes
Citation Red Max/Patriot black plastic nosecone. The
fins are 1/16" plywood through to the MMT, and the
airframe is BT-60 with 1 layer of 3oz glass. The
motor mount is 24mm for D12's thru small F reloads.
Like the original Goblin it uses streamer recovery.
The demon artwork came from one of my favorite
comic books; Those Annoying Post Brothers by Matt
Howarth. When I first saw that demon I thought of
the Goblin artwork, they're from different artists
but appear to be from the same Hell.
The Indecline art on the left fin is from a stenciled
graffitti that is on freight cars all over the country.
I skewed the art slightly to better fit the fin, and
now the character looks like he's walking downhill.
Indecline inclined.
As a kid I built an original Goblin kit, making it my
first D kit though I never flew it on more than a C6-5.
The trees verging on my local field were already well
enough decorated with my model rockets. That Goblin
got scrapped long ago, but its' nosecone still flys on
another rocket.
The stand is a cast iron star that came from a Texican
gee-jaw store. My brother gifted me several different
stars one Xmas after I flashed on the concept of using
them for rocket stands. Thanks bro.

I can't remember the last time I was hot to go to a museum.
The Cosmodrome when I was in Kansas for LDRS 12?
That was a space related museum, no surprise there.
This time it was the McNay art museum here in San Antonio.
I've driven past it a 1/2 a million times without knowing it
was even there, this time we were pulling in. What snagged
me was a traveling exhibit of the art of Edward Gorey.
We aint in Kansas anymore, for sure.
We managed to get down there on the final day of the exhibit
and it was great. There were plenty of prints of course, a
mere drop in the bucket from a prolific artist, but mixed in
were occasional originals, and pencil layout sketches. One of
the prettiest displays was a cabinet with hand drawn and
watercolered envelopes that Edward sent to his mother over
the years. I'll spare you further descriptions, the book covers
above are adequate examples. The Doubtful Guest above was
my intro to Ed Gorey, it was read to me/us when quite young,
but then I grew up with hippy school teachers.
My brother and his Sylvia were the ones who went with me,
in fact drove me as I had no transportation at the time. Last
weekend was my birthday and they gave me Ed Gorey's
Amphogorey Again, a compilation. Love it.
The website below is a .net, but it's actually a .com.
http://goreydetails.net/
Other than that go to Amazon for books or simply Google,
there's plenty of E.G. out there.

"A
aarh, Ye be welcome to the Pirate Art Institute"
How many ways can you COPY this pirate?
When wewere kids we would see this art school ad in the back of magazines. "Can you draw this pirate?" or some other bit of cutesy art. "Then enroll today and have a future as
a commercial artist, bla-bla-bla..."
When my brother and I had a print shop back in the late '80's, it became a running joke early on. Customers would bring us totally crappedout art, or ask for art that we didn't
have, or to infringe on copyrights in a questionable manner.
The Pirate Art Institute to the rescue!
We would clip, photocopy, photograph, trace, or redraw, then shoot a transparency, use it to expose a screen, and finally silkscreen print it in [hopefully] vast quantities.
Whatever it took to make a buck.
Anything but FAX!
We refused to install fax service because at least one customer a week would want to fax their art to us. No, nope, nu-uh, don't do it! Most fax looks terrible on a good day. Imagine what it would do to the aforementioned already crapped out art.